1998 film
O termo 1998 film é utilizado na Wikipedia de língua inglesa, onde se pode ler:

The year 1998 in film involved many significant films.

Este texto é um excerto do artigo 1998 film da enciclopédia livre Wikipédia. Na Wikipédia, está disponível uma lista dos autores.
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1998 in film - Wikipedia, the free encyclopedia
The year 1998 in film involved many significant films. ... Highest-grossing films[ edit]. See also: List of 1998 box office number-one films in the United States ...
en.wikipedia.org/wiki/1998_in_film
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IMDb: Year: 1998
Most Popular Feature Films Released In 1998. 1. Saving Private Ryan (1998), Saving Private Ryan (1998). 1 2 3 4 5 6 7 8 9 10 8.6/10 X. Following the ...
www.imdb.com/year/1998/
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IMDb: Most Popular Feature Films Released In 1998
After discovering that an asteroid the size of Texas is going to impact Earth in less than a month, N.A.S.A. recruits a misfit team of deep core drillers to save the ...
www.imdb.com/search/title?sort=moviemeter,asc&title_type=feature&year=1998,1998
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Best Films of 1998 list
27 May 2009 ... In the opinion of Stephen H Koontz There's Something About Saving Half-Baked Bugs at the Roxbury.
www.listal.com/list/best-films-of-1998-stephenhkoontz
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Louis C.K. to Release 1998 Film 'Tomorrow Night' With Steve Carell ...
9 Jan 2014 ... Louis C.K. will make his 1998 directorial debut, Tomorrow Night, available for the first time on his website next month. The movie boasts a crop ...
www.rollingstone.com/movies/news/louis-c-k-to-release-1998-film-with-steve-carell-amy-poehler-20140109
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Louis C.K. Releasing His 1998 Movie Starring Steve Carell and Amy ...
7 Jan 2014 ... He wrote on several popular TV shows and directed short films for a long ... In 1998 C.K. wrote and directed his first film called Tomorrow Night, ...
www.slashfilm.com/louis-c-k-releasing-his-1998-movie-starring-steve-carell-and-amy-poehler-for-5/
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Employment Of Women In Film Production Dips Below 1998 Levels ...
14 Jan 2014 ... The ranks of women working in film production have barely budged and even declined in some key areas over the past 16 years, according to ...
variety.com/2014/film/news/employment-of-women-in-film-production-dips-below-1998-levels-1201055095/
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Louis C.K. releases 1998 film 'Tomorrow Night' on website - PopWatch
29 Jan 2014 ... Back in 1998, Louis C.K. wrote and directed his first feature-length film. He casually got together some friends like Steve Carell, Wanda Sykes, ...
popwatch.ew.com/2014/01/29/louis-ck-tomorrow-night/
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Rounders - Rotten Tomatoes
Shown at the 1998 Venice Film Festival and the 1998 Montreal Film Festival. .... If you enjoy a thrilling story with effective direction and a great cast, this film is for ...
www.rottentomatoes.com/m/1083659-rounders/
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New Statesman | Louie CK's 1998 film Tomorrow Night: a portrait of ...
31 Jan 2014 ... Louis CK's early film Tomorrow Night has been made available for $5 on the comedian's website - and it's well worth checking out.
www.newstatesman.com/culture/2014/01/louie-cks-1998-film-tomorrow-night-portrait-comedian-black-and-white
Resultados da pesquisa para "1998 film"
Google: aprox. 460.000.000
1998 film na Ciência
Filme / DVD - Morte na Universidade (Dead Man on Campus) - 1998
Sinopse: Ao entrar para a universidade, Josh, um rapaz responsável e estudioso , acaba contagiado pelo espírito farrista de Cooper, seu colega de quarto, e cai ...
Patch Adams (filme) – Wikipédia, a enciclopédia livre
... O Amor é Contagioso — pt: Patch Adams) é um filme estadunidense de 1998, ... Dois anos depois, Patch entra em uma universidade de medicina para se ...
Good Will Hunting – Wikipédia, a enciclopédia livre
Good Will Hunting (br: Gênio Indomável — pt: O Bom Rebelde) é um filme estadunidense de ... polícia, trabalha como servente em uma universidade de Boston e revela-se um gênio em ... Prêmio Eddie 1998 (American Cinema Editors, EUA).
University Service / Júris Académicos - CFTC - Universidade de ...
University Service Júris Académicos. Habilitation Agregação.
Patch Adams – O Amor é Contagioso (Patch Adams, 1998) | Cooltural
7 jul. 2013 ... No filme Patch Adams – O Amor é Contagioso, dirigido por Tom ... além de ter que enfrentar o inflexível reitor da universidade. ... Ano: 1998
Lenda Urbana (1998) - Filme - Cineplayers
Sinopse: A protagonista é Alicia Witt, que interpreta Natalie, estudante perfeitinha da Universidade Pendleton. Ela e seus amigos tem aulas com o professor ...
Trilha do filme Morte na Universidade - 1998
Trilha do filme Morte na Universidade - 1998 + detalhes. Trilha. trilha sonora “ golden years” escrita por david bowie interpretada por marilyn manson marilyn ...
Miguel Cadilhe - Portugal perfis | LinkedIn
Atuais: Docente Mestrado Som & Imagem na Universidade Católica ... a 1998 – London Film School, Londres 1998 a 2005 – docente, Licenciatura e Mestrados  ...
livros referentes ao termo 1998 film
Transcultural Cinema
Transcultural Cinema
David MacDougall, Lucien Taylor, 1998
Although influential among filmmakers and critics, some of these essays were published in small journals and have been until now difficult to find. The three longest pieces, including the title essay, are new.
Alexander Payne: His Journey in Film: A Reporter's Perspective, 1998-2012
Alexander Payne: His Journey in Film: A Reporter's Perspective, 1998-2012
Leo Adam Biga, 2013
Long before Alexander Payne arrived as a world-renowned filmmaker, Leo Adam Biga spotted his talent, even screening his thesis project, The Passion of Martin, at an art cinema. By the time Payne completed Citizen Ruth and prepped Election Biga made him a special focus of his journalism. Interviewing and profiling Payne became a highlight of the wri...
Kurosawa: Film Studies and Japanese Cinema (Asia-Pacific : culture, politics, and society)
Kurosawa: Film Studies and Japanese Cinema (Asia-Pacific : culture, politics, and society)
Mitsuhiro Yoshimoto, 2012
The films of Akira Kurosawa have had an immense effect on the way the Japanese have viewed themselves as a nation and on the way the West has viewed Japan. In this comprehensive and theoretically informed study of the influential director’s cinema, Mitsuhiro Yoshimoto definitively analyzes Kurosawa’s entire body of work, from 1943’s Sanshiro Sugata...
Refiguring American Film Genres: History and Theory
Refiguring American Film Genres: History and Theory
Nick Browne, 1998
This collection of essays by leading American film scholars charts a whole new territory in genre film criticism.
My Pilgrim's Progress: Media Studies, 1950-1998 (Vintage)
My Pilgrim's Progress: Media Studies, 1950-1998 (Vintage)
George W.S. Trow, 2010
"I don't just like Ike," declares George W.S. Trow, "I love him. I think he's the guy of guys, I think he's uniquely American, and I'm sorry we're not going to have him anymore." That admiration permeates the pages of My Pilgrim's Progress, a stream-of-consciousness consideration of "how 1950 g...
Women in film noir
Women in film noir
E. Ann Kaplan, 1998
This work remains fresh and insightful and is reprinted here. For this new expanded edition, the editor has brought together further essays that reflect renewed interest in film noir.
Konstruktion von Weiblichkeit im amerikanischen Spielfilm: Das Frauenbild im soziopolitischen Kontext: Mit einer...
Konstruktion von Weiblichkeit im amerikanischen Spielfilm: Das Frauenbild im soziopolitischen Kontext: Mit einer...
Antje Linßner, 2004
Studienarbeit aus dem Jahr 2003 im Fachbereich Filmwissenschaft, Note: 1,7, Universität Leipzig (Theaterwissenschaft), Veranstaltung: Wissenskulturen und Körperpolitik, 38 Quellen im Literaturverzeichnis, Sprache: Deutsch, Abstract: Betrachtet man Filmgeschichte als Genregeschichte, so nähert man sich der soziopolitischen Natur des Films sehr stark...
Postmodern Journeys: Film and Culture 1996-1998
Postmodern Journeys: Film and Culture 1996-1998
Joseph Natoli, 2001
Part memoir, part cultural criticism, this fast-paced ride through the postmodern landscape of American popular culture explores how our responses to headline events and popular films help script the ways in which we imagine ourselves and ...
Dance With Me Movie Review (1998): Rafael's Journey from John to Ruby to Joy
Dance With Me Movie Review (1998): Rafael's Journey from John to Ruby to Joy
Miquiel Banks, 2012
SummaryAn enriching and emotional movie that's about Family and Dancing, period. If you feel like no one dances anymore or can't find THE SPOT, tune in to this movie and embrace the feeling of seeing what THE SPOT should feel like. We have Cuba, Dancing, Romance, and the rekindling of a Family Bond, dare I say the obvious? Yes, you need t...
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Registos de blog referentes ao termo
1998 film
The Oscar Quest: Best Actor – 1998 | B+ Movie Blog
I deliberately held back on this one. This is a major category that a lot of people have strong opinions on. So of course I was gonna hold back on it. Anticipation is key. As for 1998 -- Shakespeare in Love wins Best Picture, Best Actress for Gwyneth Paltrow (talked about here) and Best Supporting…
bplusmovieblog.com/2012/04/05/the-oscar-quest-best-actor-1998/
The Oscar Quest: Best Picture – 1998 | B+ Movie Blog
1998 is, as we all know, one of those Oscar years that is brought up as an example of all the bad the Academy represents; "The Academy being the Academy." And, just like 2010, it's one of those decisions that makes sense considering who they are and what they like, isn't as bad as some other decisions…
bplusmovieblog.com/2012/04/24/the-oscar-quest-best-picture-1998/
Beloved Movie Review & Film Summary (1998) | Roger Ebert
The film tells the story of Sethe (Oprah Winfrey), who was a slave on a Kentucky plantation in the days before the Civil War. Now Sethe is free, and lives in a frame house on a few acres on the outskirts of Cincinnati--”124 Bluestone Road,” the film informs us, as if it would be an ordinary house if it were not for the poltergeist that haunts it. When Paul D (Danny Glover), who knew her years ago in Kentucky, enters the house, the air glows red and the walls and floor shake violently; the spirit resents this visitor. But Paul D remains, and seems to quiet the poltergeist. Then the spirit appears again, waiting for them one day when they return to the house. It now manifests itself as a young woman in a black dress and (Paul makes note) shoes that don't look as if they've been walked in. Asked her name, she spells it out one painful letter at a time, in a gravelly voice that doesn't sound as if it's ever been used: B-E-L-O-V-E-D. Thandie Newton, who plays Beloved, does an interesting thing with her performance. She inhabits her body as if she doesn't have the operating instructions. She walks unsteadily. She picks up things as if she doesn't quite command her grasp. She talks like a child. And indeed inside this young woman there is a child, the ghost of the young daughter who Sethe killed rather than have her returned to the plantation as a slave. Like the Toni Morrison novel it is based on, “Beloved” does not tell this story in a straightforward manner. It coils through past and present, through memory and hallucination, giving us shards of events that we are required to piece back together. It is not an easy film to follow. Director Jonathan Demme and his screenwriters have respected Morrison's labyrinthine structure--which does, I think, have a purpose. The complexity is not simply a stylistic device; it is built out of Sethe's memories, and the ones at the core are so painful that her mind circles them warily, afraid to touch. Sethe's life has not been a linear story, but a buildup to an event of unimaginable horror, and a long, sad unwinding afterward. The film had a curious effect on me. I was sometimes confused about events as they happened, but all the pieces are there, and the film creates an emotional whole. It's more effective when it's complete than during the unfolding experience. Seeing it more than once would be rewarding, I think, because knowing the general outline--having the road map--would deepen the effect of the story and increase our appreciation of the fractured structure. The film, based on a true story, is about a woman who is raised as a slave and then tastes 28 days of freedom before “on the 29th day, it was over.” She has been beaten and raped by her employer, School Teacher, and boys under his care; there is a flashback in which the boys steal the milk from her breasts, and her chained husband looks on and goes mad. Faced with the prospect that her children will be returned to the degradation of slavery, she chooses to kill them--and is stopped only after she does kill the daughter now returned as Beloved. Postwar life in Ohio contains its peaceful moments, of bringing in the laundry or shelling peas, but the house at 124 Bluestone Road is forever saddened by what Sethe did. Was it wrong? Yes, said the law: She was guilty of destroying property. The law did not see her or her child as human beings, and thus did not consider the death to be murder. In a society with those values, to kill can be seen as life-affirming. These are all feelings that churn up after the film. “Beloved,” film and novel, is not a genre ghost story but a work that uses the supernatural to touch on deep feelings. Like The Turn of the Screw, it has no final explanation. Spirit manifestations come from madness and need not follow logical agendas. It is a remarkable and brave achievement for Demme and his producer and star, Winfrey, to face this difficult material head-on and not try to dumb it down into a more accessible, less evocative form. Winfrey plays Sethe as a woman who can sometimes brighten and relax, but whose spirit always returns to the sadness of what she did, and the hatred of those who forced her to it. It is a brave, deep performance. Supernatural events whirl around her, but she is accustomed to that; she's more afraid of her own memories. Thandie Newton, as Beloved, is like an alien. (I was reminded of Jeff Bridges in “Starman.”) She brings a difficult character to life by always remembering that the tortured spirit inside was still a baby when it died. Danny Glover, big and substantial, is the pool of caring that Sethe needs if she is ever to heal. Kimberly Elise, as Sethe's grown daughter, plays the character as a battered child--battered not by her mother but by the emotional maelstrom of 124 Bluestone Road. And the legendary Beah Richards has an electric screen presence as Baby Suggs, Sethe's mother-in-law, who presides over haunting spiritualist ceremonies. Demme's direction tells the story through mood and accumulation of incident, rather than through a traditional story line. His editor, Carol Littleton, takes on the difficult task of helping us find our way through the maze. Some audience members, I imagine, will not like it--will find it confusing or too convoluted. And it does not provide the kind of easy lift at the end that they might expect. Sethe's tragic story is the kind where the only happy ending is that it is over.
www.rogerebert.com/reviews/beloved-1998
The Year Was 1998 - Blog - The Film Experience
thefilmexperience.net/blog/2013/11/19/the-year-was-1998.html
Louis C.K. to Release 1998 Film 'Tomorrow Night' With Steve Carell, Amy Poehler | Movies News | Rolling Stone
Louis C.K. will make his 1998 directorial debut, Tomorrow Night, available for the first time on his website next month. The movie boasts a crop of cu
www.rollingstone.com/movies/news/louis-c-k-to-release-1998-film-with-steve-carell-amy-poehler-20140109
You Can Now Watch Louis C.K.'s 1998 "Bizarre Little Indie Film": Gothamist
gothamist.com/2014/01/29/louis_cks_first_movie.php
A Mighty Fine Blog: Film Review: Tomorrow Night (1998)
For many years, Tomorrow Night existed as little more than an IMDb entry: a curio that, despite featuring a lot of people who would go on to be very successful and fairly famous, had been seen by basically no one. Though the debut feature of writer, stand-up comedian and filmmaker Louis C.K.
a-mighty-fine-blog.blogspot.com/2014/01/film-review-tomorrow-night-1998.html
Louis C.K. Releasing His 1998 Movie Starring Steve Carell and Amy Poehler for $5 - /Film
www.slashfilm.com/louis-c-k-releasing-his-1998-movie-starring-steve-carell-and-amy-poehler-for-5/
Louis C. K. Is Releasing His 1998 Film Starring Steve Carell And Amy Poehler For $5 - Bleeding Cool Comic Book, Movies and TV News and Rumors
www.bleedingcool.com/2014/01/07/louis-c-k-is-releasing-his-1998-film-starring-steve-carell-and-amy-poehler-for-5/
1998 Sundance Film Festival | | Archives | Sundance Institute
Founded by Robert Redford, Sundance Institute is a nonprofit organization that actively advances the work of independent storytellers in film and theatre.
history.sundance.org/events/33
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